We are excited to announce the addition of a newly acquired collection to the archive. This collection includes materials assembled and organized by William R. Alschuler, California Institute of the Arts science faculty, for a class on the AIDS epidemic he was teaching in 1993-1996 entitled, “AIDS as exhibit.” It contains flyers, handouts, newsletters, and other publications from numerous public health departments and community based organizations in California and around the country with information about AIDS transmission and prevention, treatment, testing protocols, nutrition, service organizations, legal rights and educational resources as well as newspaper and journal clippings and course syllabi about the history of the AIDS epidemic. The final project of this class included exhibits curated by students that were displayed in hallways at California Institute of the Arts.
As part of our current National Archive NHPRC grant project “Evolution of San Francisco’s Response to a Public Health Crisis: Providing Access to New AIDS History Collections,” we’ve been processing the papers of Laurie Garrett. Garrett is a Peabody, Polk, and Pulitzer Prize award winning journalist. She won the Pulitzer Prize for Explanatory Journalism for her work chronicling the Ebola virus in Zaire published in Newsday. She is also a bestselling author of the book The Coming Plague: Newly Emerging Diseases in a World Out of Balance. Garrett has worked for National Public Radio, Newsday, and was a senior fellow for The Council of Foreign Relations. She has won many awards including the Award of Excellence from the National Association of Black Journalists and the Bob Considine Award of the Overseas Press Club of America.
The Laurie Garrett papers include drafts of her two books, The Coming Plague and Betrayal of Trust. The collection also includes material related to her service in The Council on Foreign Relations. Garrett’s papers feature correspondence, records of the various national and international conferences and meetings of which she was a part. Some unique types of material present in the collection include audiovisual recordings, photographs, videotapes, film reels, notebooks, and interviews.
Once the Laurie Garrett papers are processed, a finding aid will be prepared and put on the Online Archive of California, and a small selection of the collection will be digitized and made available online to researchers via Calisphere.
-Edith Martinez, processing archivist for AIDS History Project
Harold Hardin is joining us in Archives & Special Collections this spring to work on finishing the NEH grant-funded project The San Francisco Bay Area’s Response to the AIDS Epidemic. Harold will be helping QA digital objects among other tasks related to the digitization workflow.
Harold Hardin is a current student in Cuesta Colleges’ Library/Information Technology program and San Francisco City College’s Paralegal Studies program. While pursuing a double major in Sociology/Critical Race Ethnic Studies at UC Santa Cruz Harold developed an academic interest in the often hidden and occluded histories of marginalized communities, particularly histories of oppression and resistance. Through their own experiences of political activism at UC Santa Cruz and beyond (#Blacklivesmatter Oakland/ Stockton, GaySHAME SF) Harold has insisted on moving iteratively between theory and praxis: centering an intersectional feminist analysis of power.
These analytical lenses and political participation increased Harold’s consciousness regarding the fundamental ways in which access to information (particularly personal/community histories) profoundly shapes participation in our democracy (or lack thereof). Harold is interested in the nuances of political participation and uncovering the innumerable sites of quotidian resistance! Therefore, Harold sees their internship within UCSF’s AIDS History Project as not only a unique privilege to work toward increasing community access to Queer history, but also, and importantly, an extension of the deeply personal (political) work of (re)understanding their multiple positions within (and outside) of the Archives.